The Latest Trend In Painting Over Chalk Paint That Has Been Waxed

As acute as Georgia O’Keeffe’s 1924 oil painting “Leaf Motif, No. 2” is, with its affecting aerial curves and affluent blush palette, the aback of the canvas is appealing interesting, too.

That’s because it is the abetment and the framing that O’Keeffe herself installed, acutely advertence aloof how the acclaimed artisan capital her ignment shown. It additionally includes her cipher, a brilliant with “O’K” cacographic in the center.

“Normally, you alter the back,” said Heather Lammers, collections administrator and babysitter at the McNay Art Museum, breadth the ignment is on display. “This one has a appropriate abetment that we kept because it’s O’Keeffe’s presentation. It’s her framing, it’s her backing, none of it is archival.

“She was actual ambitious about presentation.”

Curators and added art professionals can aces up all sorts of advice from ia of artworks that the accessible rarely, if ever, gets to see. Stickers on the aback of pieces created in the pre-digital era agenda breadth the ignment was exhibited. If it’s the aboriginal backing, there ability be addendum that acknowledge for whom the art was created or article about the diplomacy beneath which it was made. There ability be indicators of galleries breadth a ignment was awash or the exhibits breadth it was shown, abacus capacity about the artist’s life.

“The things that are best absorbing to me is to see breadth the artisan has accounting addendum to themselves or they’ll almanac article that’s not for the public, article that’s claimed that gives some aen into what they’re ceretion about,” said René Paul Barilleaux, arch of curatorial diplomacy at the McNay. “Sometimes, I’ll apprehension that artists will urance works to people. I knew this artisan who active aggregate to his wife — it was consistently on the back.

“Those are things breadth you can see the artist’s blow in a absolute way.”

On a added applied note, there ability be notations advertence how the artisan intends the ignment to be displayed — a decidedly big advice with abstruse pieces.

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“We do accept an archetype breadth a painting was acutely apparent on the aback by the artisan of how they capital it (to be hung), but the being who gave it to us was not blind it that way. I don’t ane they admired it that way, so they afflicted it,” Lammers said. “So we went aback to the artist’s orientation.”

So, what affectionate of tales and advice can be begin angry against the walls of San Antonio museums?

In the past, the history of breadth a painting was apparent was preserved in stickers added to the back.

“You can agree this to aback in the day aback you’d go on a cruise and your attache or your steamer block would get stickers of the els that you’d gone to — that’s what these are,” Lammers said. “They’re stickers from altered loans, altered places breadth this painting has traveled, basically.”

The aback of O’Keeffe’s “Leaf Motif, No. 2,” for instance, bears a sticker from the Whitney Building of American Art in New York, breadth the ignment was apparent as allotment of an display blue-blooded “Abstract Painting in America.” It lists O’Keeffe herself as both the artisan and the lender. Her abode is accustomed as 509 Madison Avenue, the armpit of An American Place, the New York arcade that her husband, acclaimed columnist and gallerist Alfred Stieglitz, ran from 1927 to 1946.

There additionally are stickers from loans of the painting to the Knoxville Building of Art, the Phillips Aculating in Washington, D.C., and the Norton Building of Art in West Palm Beach, Florida.

If O’Keeffe and Stieglitz were animate today, all of that affidavit would be handled digitally. It’s easier, Lammers said, admitting a little bit of affair has gotten lost.

“A lot of museums don’t put stickers on any added because no one wants them any more,” she said. “It makes me a little bit sad because I still accept all these abundant stickers in our files, and beneath places bother to do them now.”

Sometimes, a sticker reveals article hasty about breadth the ignment has been. A sticker on the aback of “Golden Hour,” a baby oil painting by Julian Onderdonk in the Witte Museum’s collection, is from the Goldfield Galleries in Los Angeles. That indicates that the allotment was awash through that West Coast gallery, an absorbing tidbit for a ignment by an artisan acerb articular with his built-in Texas and its accompaniment flower, the bluebonnet.

“He never went to California,” said Amy Fulkerson, arch babysitter for the Witte. “This little allotment has traveled.

“Sometimes the tags, alike if they’re not from the artist, are actual cogent — they affectionate of accord you a aback story, a activity history of a piece.”

As Lammers noted, the O’Keeffe painting is abnormal in that it has not been re-lined. Best of the works in the collections of the McNay, the Witte and added museums accept been. Dust jackets are sometimes installed to ure a painting from dust and from attenuate accouterment in temperature and humidity, which can accident artwork. A new abetment additionally may be installed if the canvas has been damaged in such a way that acrylic has started appropriation off of it. Re-lining the ignment can balance it, Fulkerson said.

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